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The Shakespeare text translated by António M.
Feijó,
set by António M. Feijó and Ricardo Pais
a Ricardo Pais production.
with João Reis, António Durães, Luísa
Cruz, Nicolau Pais, Pedro Almendra and Hugo Torres, set design and costumes
by António Lagarto, original score (played live) by Vítor
Rua, videos by Fabio Massimo Iaquone and Paulo Américo, sound design
by Francisco Leal, light by Nuno Meira, fencing choreography Miguel Andrade
Gomes, produced by Teatro Nacional S. João
Ricardo Pais returns to the Shakespearean text with "the
essential drive of deciphering even more, of knowing more, and, most of
all, of experimenting more, with that illusion of freedom that the insistent
work over a text can bring". As major components in this experimental
exercise, we find Vítor Ruas' music, the axis of the whole performative
variation, together with the video work of Fabio Massimo Iaquone and Paulo
Américo, which reverberates the most intimate gestures, captured
through a micro-camera system, or the set design, by António Lagarto,
a minimalist play between the closure of the space and the serial infinitude
brought by video. The result is um Hamlet a mais
("One Hamlet too many"), divided between athletic hallucination
and the musical, in a creation that continues the obsession of this Theatre
with the word and vocal production (of which the recent production of
Castro is an outstanding example), while "it
stresses the topics of politics and misogyny, which are endemic to the
play and the unrivalled verve of the protagonist".
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